Postcolonial African literature

With liberation and increased literacy since most African nations gained their independence in the 1950s and 1960s, African literature has grown dramatically in quantity and in recognition, with numerous African works appearing in Western academic curricula and on "best of" lists compiled at the end of the 20th century. African writers in this period wrote both in Western languages (notably English, French, and Portuguese) and in traditional African languages such as Hausa. Ali A. Mazrui and others mention seven conflicts as themes: the clash between Africa's past and present, between tradition and modernity, between indigenous and foreign, between individualism and community, between socialism and capitalism, between development and self-reliance and between Africanity and humanity.[11] Other themes in this period include social problems such as corruption, the economic disparities in newly independent countries, and the rights and roles of women. Female writers are today far better represented in published African literature than they were prior to independence. In 1986, Wole Soyinka became the first post-independence African writer to win the Nobel Prize in literature. Algerian-born Albert Camus had been awarded the 1957 prize. Akinwande Oluwole "Wole" Soyinka (born 13 July 1934) is a Nigerian writer, notable especially as a playwright and poet; he was awarded the 1986 Nobel Prize in Literature, the first person in Africa and the diaspora to be so honoured. Soyinka was born into a Yoruba family in Abeokuta. After study in Nigeria and the UK, he worked with the Royal Court Theatre in London. He went on to write plays that were produced in both countries, in theat es and on radio. He took an active role in Nigeria's political history and its struggle for independence from Great Britain. In 1965, he seized the Western Nigeria Broadcasting Service studio and broadcast a demand for the cancellation of the Western Nigeria Regional Elections. In 1967 during the Nigerian Civil War, he was arrested by the federal government of General Yakubu Gowon and put in solitary confinement for two years.[1] Soyinka has strongly criticised many Nigerian military dictators, especially late General Sanni Abacha, as well as other political tyrannies, including the Mugabe regime in Zimbabwe. Much of his writing has been concerned with "the oppressive boot and the irrelevance of the colour of the foot that wears it".[citation needed] During the regime of General Sani Abacha (1993–1998), Soyinka escaped from Nigeria via the "Nadeco Route" on motorcycle. Living abroad, mainly in the United States, he was a professor first at Cornell University and then at Emory University in Atlanta, where in 1996 he was appointed Robert W. Woodruff Professor of the Arts. Abacha proclaimed a death sentence against him "in absentia". With civilian rule restored to Nigeria in 1999, Soyinka returned to his nation. He has also taught at Oxford, Harvard and Yale. From 1975 to 1999, he was a Professor of Comparative Literature at the Obafemi Awolowo University, then called the University of Ife. With civilian rule restored in 1999, he was made professor emeritus.[1] Soyinka has been a Professor of Creative Writing at the University of Nevada, Las Vegas. In the fall of 2007 he was appointed Professor in Residence at Loyola Marymount University in Los Angeles, California, US.